The following is one of the most efficient memorization techniques that I’ve taught my students.
It’s common knowledge that students all around the globe practice too fast. And this produces poor results!
Slow and steady wins the race.
I always remind my students about The Tortoise and the Hare.
The tortoise, of course.
Because he’s slow and methodical.
The hare gets cocky and only knows one speed – fast! And this ultimately leads to his losing the race.
We have to take care in reminding our students to practice slowly.
Learning the piano is a marathon, not a sprint.
So, why memorize music?
Well, we encourage our students to memorize music because it helps them internalize and bring a higher level of interpretation to their music.
They don’t have to worry so much about the notes anymore and can focus on the dynamics, phrasing, and other musical nuances.
When it comes to memorization, I like to teach a back to front approach.
It’s not a quick approach, but it yields amazing results!
Maybe you, like me, have seen students attempt to memorize a piece from beginning to end quickly.
Impatience = Sloppiness
This is why it’s so important to remind students about the long game. In the end, the tortoise wins the race!
One caveat before we dive into the technique; a student shouldn’t attempt memorization until she can play a piece from beginning to end without making mistakes.
She must have a solid grasp of the music.
Now, on to memorization.
As already mentioned, I prefer a slow and steady back to front approach.
Once students are ready to begin memorizing, I have them turn to the very back of a piece, extract the last three to four bars, and play them several times slowly along with the music.
I stress slowly here.
Once they’ve played the three to four measure phrase slowly with the music, I ask them to play the phrase from memory.
Carving out small sections one at a time and practicing them in this way forces students to pay attention to what’s going on in the music.
What are the intervals? What does the melody sound like? What’s the rhythm?
Extracting small snippets of a piece and practicing them in this way gives way to solid memorization.
You’re determining these little fragments by the phrasing, or course. You could be working with six bars phrases in your case. Or it could be less.
But I would not bite off more than six bars. This may be a bit much for your students depending on the tempo and difficulty level of their piece.
I’ve had my students repeat as little as two measures at a time.
Once students have mastered the last three or four bars of a piece (or last part of a phrase), I have them back up to the preceding three to four bars of music.
Now, have them repeat the process. Not only with the new measures, but the measures they’ve already memorized.
This technique reinforces the music that they’ve already memorized and works extremely well when it comes to solidifying memorization of any piece.
Okay, so just to recap. –
- Play the last three or four measures of a piece (depending on the phrase) several times while looking at the music.
- Next, play the passage from memory.
- Then back up to the preceding three or four measures and play them plus the memorized measures several times while looking at the music.
- Now try the passage from memory.
- Rinse, wash, repeat.
This approach just works!
I encourage you to approach large-scale works, such as Beethoven’s sonatas a little differently.
You’ll want to break larger pieces into smaller chunks (one or two pages at a time) and then apply the slow back to front approach.
So there you go!
I hope this quick article gives you some food for thought as you’re resting and gearing up for a new semester of teaching
Remind your students of the classic fable The Tortoise and the Hare.
Remind them who wins the race!
Are you looking for some fun new pieces for your students to memorize this semester? Have you picked out their recital pieces yet?
Well, consider the following free performance pieces as a token of my appreciation for the important work that you do! Keep it up!!